Sharing the Beauty of China: Chinese Painting (English Edition)
Author:Lin Ci
Publication date:2018-08-01
ISBN:9787508540160
Language:English
Abstract:
Traditional Chinese painting was fundamentally an abstract art form. Although there were no absolute abstract Chinese paintings in its original meaning, objects in a painting were not a direct copy of the nature world following the principle of perspective. It was rather a combination or harmony bet...
Introduction
Traditional Chinese painting was fundamentally an abstract art form. Although there were no absolute abstract Chinese paintings in its original meaning, objects in a painting were not a direct copy of the nature world following the principle of perspective. It was rather a combination or harmony between the nature world and human emotion, a product of “heaven (nature) and human”. The effect Chinese painters would like to illustrate in their paintings was not a visual effect of colors and patterns as their Western counterparts would like to achieve. The description of objects in their paintings was no means accurate and few concerned about such factors as colors, principle of perspective, anatomy, surface feel, and relative size. What they would like to achieve was a world in their mind of non materials. The nature world was not an object for them to make a true copy and it was rather elements for them to build their own world.
Book catalogue
Cover
1
Titlepage
2
Contents
3
Author Introduction
4
Foreword
5
From Gu Kaizhi to Wu Daozi
6
Desert Treasures
7
Lucid Mountains and Remote Streams
8
Scholar Paintings
9
Modern Chinese Paintings
10
Appendix: Chronological Table of the Chinese Dynasties
11
Copyright
12
Backcover
13
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